The challenge of ＂The Order of the Gods＂ is the most difficult to see. Chen Kun： I have been using my imagination

1905 movie network news Adapted from the game "The Master of Yin and Yang", the pre-sale of the oriental new fantasy giant starring, producer, director,, etc. will be fully opened at 8: 00 on January 29th, and the preview of "The Birth of the Gods" will be exposed on January 27th, showing one of the most difficult technologies in challenging the visual effects field: digital characters, which will make the Gods more vital.

Director Li Weiran lamented: "This technology has a lot of imagination, and the biggest problem is that it is too difficult!" Dozens of kinds of hair of the ferret, the swelling and shrinking of the ghost’s red muscles, and the mixed skin of the owner fish of Haifang … … The production team used digital character technology to create a feast of ghosts with oriental characteristics on a large scale, opening a new chapter in fantasy visual effects. The magnificent scene and the vivid god-serving elements make Chen Kun bluntly say that he has been using his imagination.

　

Break the dimension! The skunk, the ghost red and the owner of Haifang are lifelike.

As one of the most difficult technologies in the visual effects field of the film industry, digital characters are the most challenging behind-the-scenes production level of The Order of the Gods. In order to make good use of the imagination space given by this technology and convey the unique charm of oriental culture, director Li Weiran led the behind-the-scenes team to challenge a variety of difficult digital characters at one time. Although hair making is extremely complicated, there are dozens of different kinds of hair on the face of the skunk; The muscles in the ghost red movement expand and contract, trying their best to make the audience feel the truth, and it even has different pores on the face; Haifangzhu’s skin is mixed, which not only shows the texture of human skin, but also reflects light like fish scales … … In the past, the characters who used this technology in Hollywood movies have attracted a lot of attention, while The Order of the Gods has achieved the real simulation of digital characters, reaching the technical level comparable to the world-class level.

In addition to the persistent polishing and improvement of the appearance of serving the gods, their expressions are also the most difficult to overcome — — How to convey inner language through vivid expressions and reach interaction and empathy with the audience has become the most persistent proposition of the behind-the-scenes team. Li Weiran emphasized: "Only when you can communicate with the audience emotionally can this role be considered as having a soul!" It is such high standards and strict requirements that give vitality to all the servants: the skiniest skunk, the wildest ghost red, the most cute mountain rabbit, the most ruthless and unpredictable, and the coolest ghost palm … … Every waiter has his own personality characteristics, which makes the eye-opening and beautiful wonders of the demon domain full of fireworks.

　

Sense of faith! Chen Kun and "Little Blue Man" give full play to their imaginations.

Different from the previous shooting experience, this time in the film "The Order of the Gods", the leading actors need to face a lot of opponents with many "little blue people" to imagine their respective roles and scenes. It is reported that, in order to ensure the final attitude and high agility of the gods, the crew needs to shoot with stuntmen wearing special blue clothes and interact with the actors. Chen Kun is both excited and fresh about this: "There are a lot of plays and’ Little Blue Man’ shooting, and they have been using their imagination, but I believe everyone will see very cute and lively characters", which shows his great yearning and expectation for the new fantasy world shown in the film.

There is also the one who plays the role of Peach Blossom. In order to play the "big housekeeper" in the courtyard of Enigmatic well, she needs to imagine by herself through the perception of the scene and the understanding of the plot: "Visual drama is very challenging for performance, because there is communication between people, but now in many cases, it is necessary to play against some markers. Without a sense of interaction, I need to respond through my own imagination and have a sense of faith."

Describing the filming of Shenle entering the demon market, he said, "I felt so shocked when I first entered, and I really felt like I had entered a world of monsters." The feelings for the scenes and characters were beyond words.